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Fashion rolls up for Dior’s chic strongwoman circus



By Agence France-Presse

Italian designer Maria Grazia Chiuri took Christian Dior to the circus Monday with arguably her most sublime collection for the Paris haute couture label.

A troupe of all-female acrobats of all body shapes led out the show inside a retro big top — complete with harlequin-pattern floor — built in the gardens of the Rodin Museum in the center of the French capital.

Maria Grazia Chiuri's latest collection for Christian Dior used members of a British acrobatic troupe, Mimbre, for its presentation in Paris (AFP / MANILA BULLETIN)

Maria Grazia Chiuri’s latest collection for Christian Dior used members of a British acrobatic troupe, Mimbre, for its presentation in Paris (AFP / MANILA BULLETIN)

Chiuri is the first woman ever to lead the mythic French label, and her feminism is never far away.

All her near 70 models wore glittery skullcaps fastened under their chins — think aviation pioneer Amelia Earhart meets commedia dell’arte character Pierrot.

But there was nothing remotely clownish about the muted elegance of the clothes, featuring lashings of minute embroidery and beadwork, to summon up the spirit of the circus-set 1917 ballet, “Parade”.

That legendary show pooled the talents of Pablo Picasso — who did the sets and costumes — the composer Erik Satie, writer Jean Cocteau, and Sergei Diaghilev and his Ballets Russes.

Chiuri’s designs mixed the romantic and the muscular, cutting her dreamy organza and tulle dresses with whip-smart ringmaster and lion tamer jackets, leather corsets, and high-wire jumpsuits.

“Every look has its own personality, just like circus characters,” she told AFP, “brave, funny, happy and sad.”

“The circus is a world of its own, which passes from town to town, changing each one a little as it goes — a bit like fashion week,” the creator added.

Tattooed lady

The tattooed lady, that staple of the Victorian sideshow, also got a drum roll with a look inspired by Maud Wagner, America’s first known female tattoo artist.

The designer, who sports a few herself, floated surrealist neck tattoos in a previous show.

Critics predicted her silk bandage roll gowns and architectural tutus would also be a hit with haute couture’s super-rich clientele, the only people who can afford the handmade creations which are only shown in Paris.

Chiuri said she took her powdery palette from the stage curtain Picasso painted for “Parade”, with bolder colors almost having to fight their way through what she called the “fine dust that sprinkles stage clothes”.

The designer has put her unabashed feminism at the core of the brand since she took the reins at Dior in 2016.

Previous shows have involved collaborations with women writers, musicians, and choreographers.

This time she worked with the female-led British acrobat company Mimbre, one of those performers was of restricted growth.

Chiuri said she was struck by how inclusive the circus world was, and how it offered “a possible equality… where beauty, origin, gender, and age are no longer important. Only technique and daring matter.”

It was this that inspired the collection’s necklaces and bracelets of interlocking gold hands. An acrobat “puts their life in the hands of another, you have to really trust each other”, she said.

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